The Mediterrane Film Festival, hosted for the second consecutive year in Malta from 22nd – 30th June, culminated with the sparkling Golden Bee Award Ceremony hosted by David Walliams at the spectacular Fort Manoel, Gżira. Over a dozen awards were presented to international actors, directors and cinematographers across a variety of categories. The Awards were interspersed with performances from artists including Mercury Prize winner, Heather Small, Britain’s Got Talent singer Calum Scott, Maltese opera singer Joseph Calleja and the Golden Bee Awards Orchestra.

BAFTA-winning and Academy Award-nominated writer-director Mike Leigh was awarded the Career Achievement Award, and Maltese production coordinator Rita Galea was presented with a Lifetime Achievement Award. The evening was rounded off with a speech from the President of Malta, Myriam Spiteri Debono, who emphasised the importance of the Maltese film industry to the country’s economy.

Raphaël Demonthy, lighting designer and managing director at Sunrise Studios GmbH of Berlin, was responsible for the complete lighting design and realisation of the Ceremony on site, from the moment the glamorous VIP guests arrived on the red carpet, through the reception area to the show itself, and even the backdrop of the Valletta skyline.

Signature to his visual design was a row of 30 Ayrton Cobra laser-sourced fixtures which he positioned upstage at floor level to form a long line behind the 50m x 10m semi-transparent LED backdrop. “This gave the wall both frame and depth,” explains Demonthy. “We were able to extend the stage looks by creating a wall of beams that could keep up with the different ‘colour worlds’ created on stage. The Cobra is known for its unique beam look of course, and that is exactly what we want to achieve.”

At specific moments, as the Valletta skyline took centre stage as a backdrop on the other side of the harbour, Demonthy used the Cobra fixtures at their widest zoom setting, adding frost and prism effects to create camera flares for a nice underline below the vignette.

“We are really happy with the way the Cobra cut through the night sky, even over the distances we had to cover,” concludes Demonthy. “If you work on outdoor productions you know that normal spot or beams lights don’t really punch through, especially if the weather conditions are not optimal for the beams of light. But Cobra is much more focused and punchy, giving you a better solution from the outset.”

Demonthy’s team for the Golden Bee Awards consisted of spot caller Didi Timmer, keylight operator Fabian Schmidt, showlight operator Marc Marlo Schelesnow, media server operator Sebastian Huwig, media server farmer Christian van Deenen, and picture engineer David Kulla.

The Ayrton Cobra fixtures were supplied for the event by Motion Rental of Germany through the lighting and technical provider, Nexos Lighting & Video, Malta. Production/logistics coordination was by 7Twentyeight Ltd together with Mad About Video Ltd, both from Malta. Production and set design was by Florian Wieder. The production company was Lodge of Levity.

Photos: © SunriseStudiosGmbH
Text: Julie Harper

Other news

Ayrton Diablo takes to the nunnery for Centre Stage London’s Sister Act

Centre Stage London’s production of Sister Act at the John McIntosh Arts Centre is the latest in a 60-year history of large-scale musicals produced to a high professional standard by this non-professional theatre group. Lighting designer, Ben Sassoon, has lit many of them, but this is his first time using Ayrton Diablo fixtures, which he specified after seeing lighting designer, David Howe’s, use of them on the West End production of A Christmas Carol Goes Wrong.

Ayrton celebrates 70 years of Eurovision Song Contest with Tim Routledge’s lighting

Broadcast by ORF, Austria’s public broadcaster, from the Vienna Stadthalle on 12th, 14th and 16th May 2026, the world’s largest televised live music event, the Eurovision Song […]

Cambridge University Amateur Dramatic Club takes Ayrton Rivale Profiles Into The Woods

The young and ambitious team at Stage-Mate was responsible for the lighting design and brought a set of Ayrton MagicDot Neo fixtures for the new tour. We spoke with lighting designer Wout Panis about his vision and his choice of Ayrton.

MEROL kicks off festival season at Paaspop with Stage-Mate and the Ayrton MagicDot Neo

The young and ambitious team at Stage-Mate was responsible for the lighting design and brought a set of Ayrton MagicDot Neo fixtures for the new tour. We spoke with lighting designer Wout Panis about his vision and his choice of Ayrton.

Ayrton Veloce support magician Shin Lim’s “Limitless” in new lighting rig at the Palazzo Theatre, Las Vegas

Award-winning lighting designer, Howard Harrison, has chosen Ayrton Rivale Profiles as his only moving lights – amounting to 95% of the entire rig – for the West End transfer of Shadowlands which has just opened in London’s Aldwych Theatre.

Ayrton Diablo shines in “Masquerade,” a new immersive production of Andrew Lloyd Webber’s “Phantom of the Opera”

Award-winning lighting designer, Howard Harrison, has chosen Ayrton Rivale Profiles as his only moving lights – amounting to 95% of the entire rig – for the West End transfer of Shadowlands which has just opened in London’s Aldwych Theatre.