After six years away from the stage, Spanish masters of rock, ska, reggae and rap, La Raíz, made a triumphant return, exceeding all expectations with two unforgettable concerts at Madrid’s Movistar Arena. More than 30,000 people on the nights of November 22 and December 6 experienced music and lighting worked in perfect harmony. The anticipation was sky-high, and the band did not disappoint—thousands of fans were treated to an electrifying show where music and lighting took centre stage. A stunning combination of gobos, prisms, and seamless colour transitions helped the band bring their visual narrative to life.

A key element in this long-awaited comeback was the dynamic lighting, which reached an entirely new level thanks to 100 Ayrton Cobra moving heads. Featuring IP65-rated laser beam technology, these fixtures delivered the perfect mix of power, precision, and versatility—ideal for creating an immersive atmosphere and high-impact visual effects.

A Lighting Design That Matched the Occasion

It was was Caco García (@caco.garcia), the mastermind behind the lighting and video design, who placed the Ayrton Cobra at the heart of the setup. A specialist in lighting for large-scale productions, Caco highlighted how Cobra’s exceptional colour mixing and razor-sharp beams—even over long distances—were crucial in matching the energy and dynamism of the concert.

“For La Raíz’s show at Movistar Arena, the Ayrton Cobras went above and beyond our expectations,” states Caco. “Their power and precision allowed us to create breathtaking lighting states. What impressed me the most was how they maintained an intense and well-defined beam at all times.”

To unleash the full potential of the Ayrton Cobras, the fixtures were strategically positioned all around: above the stage to cast expansive beams, on the floor to create striking upward fan effects and on the side screamers, adding depth and framing the stage design.

The lighting programming was handled by Miguel Hidalgo (@miguelhidalgo_luces), who pushed the Ayrton Cobras to their full potential, bringing precision and control to every moment. With support for protocols like DMX and Art-Net, the fixtures synchronized perfectly with the music and every other aspect of the show.

The production was backed by Use Sonido, ensuring a flawless setup. The collaboration between the design, operation, and production teams was key to executing such a high-calibre show.

Renowned photographer Nacho Nabscab (@nabscab) captured the essence of the event, with stunning images that showcase how lighting became a protagonist.

“La Raíz’s comeback wasn’t just about returning to the stage—it set a new standard for live concert production. A perfect example of how cutting-edge technology, design expertise, and human talent can transform an event into an unforgettable experience,” says Ayna Ibiza of Stonex, Ayrton’s exclusive distributor for Spain.

Text: Courtesy of Stonexsl, translated by Julie Harper
Photos: © Nacho Nabscab

 

Other news

Crossfade Design uses Ayrton Kyalami to give a big, new look to Lionel Richie’s residency at The Wynn’s Encore Theater

Lionel Richie just completed his latest residency at The Wynn’s Encore Theater where Crossfade Design created a dynamic screen surround for the stage with 48 ultra-compact, laser-source […]

Angus Cha weaves his magic with Ayrton fixtures for Cambridge European Theatre Group’s A Midsummer Night’s Dream

Cambridge University European Theatre Group has been touring Western Europe with the next generation of actors, directors, designers and technicians since 1957. Derek Jacobi and Trevor Nunn […]

IMS Indonesia installs Ayrton in The Ballroom at Djakarta Theater

Set in the heart of the vibrant capital of Indonesia, The Ballroom at Djakarta Theater is one of the latest venues to make a permanent installation of […]

Ayrton Rivale light up Red Rocks Amphitheatre for three nights of Brandi Carlile in Concert

Grammy and Emmy Award-winning singer-songwriter Brandi Carlile returned to Morrison, Colorado’s Red Rocks Amphitheatre for three back-to-back concerts on 5th– 7th September.  André Petrus acted as lighting […]

Broadway’s Tony award-winning musical Maybe Happy Ending uses Ayrton Diablo S fixtures in workhorse lighting role

Five-time Tony Award-nominated lighting designer, Ben Stanton, chose 58 Ayrton Diablo S fixtures for Broadway’s Maybe Happy Ending, the South Korean musical about human-like helper-bots who forge […]

Rhine-Ruhr FISU World University Games opt for Ayrton Cobra

“I knew that I would need a lot of beam lights for this event,” opens lighting designer, Arkin Atacan. “The Ayrton Cobra is simply perfect for this […]